第10世纪末,基辅罗斯的最高统治者斯维亚一世暴毙后,王国震动,朝野纷争。三个王子在各自公国贵族的支持下,争夺王位继承权。弗拉基米尔本是三位王子中年纪最小且生性柔弱的一个,并且因为是父亲与女仆的“私生子”而不被家族器重。在父王暴毙、大王子谋害二王子夺下王位之后,这个胆小的王子在父亲谋臣尼尔德的帮助下,从家族的故乡组织起一支野蛮狂暴的维京海盗战队,开始了对哥哥以及杀害他父亲的异族人的复仇。等待他的是大王子的铁血武士、坚不可摧的波洛茨克城堡、突厥铁骑的劲弩和邪恶的异教诅咒;罗斯公国绝世美人罗格涅达和暧昧神秘的大王妃以及权谋、色诱、暗杀、绝望和背叛,更要面对强大的拜占庭帝国……铁血大帝弗拉基米尔将如何上演“王子复仇记”?
在遥远的东方世界,有一座与世无争的世外仙境“太阳岛”,岛主之子龙威是一个典型的“网瘾+废柴”少年,却整天做着展翅高飞,拯救世界的白日梦,因为根据古老的预言,当整个世界陷入邪恶黑暗的时候,太阳岛上的太阳鸭就会出现并带领大家对抗邪恶,保护每一寸土地都能照到阳光,滋润万物生长,不受到邪恶力量的威胁。多年后的某一天,绿头鸭军团意外来到太阳岛,东方鸭与绿头鸭之间的矛盾对抗打破了太阳岛长久以来的平静生活,意外的是身为太阳岛岛主之子的龙威与绿头鸭司令的女儿艾瑞卡,却在东方鸭、太阳鸭的高压对峙下陷入到了甜蜜恋爱之中,然而就在双方剑拔弩张战况愈演愈烈之际,那个被众人遗忘的“黑暗寓言”却在邪恶女巫婥特的布局下悄然发生……黑暗降临之际,曾经的“废柴+网瘾少年”的龙威能否突破宿命,成为拯救世界的鸭界超级英雄——太阳鸭呢?
11位怀揣不同目的,来自不同行业,不同身份的人参加一档名为“MAFIA”的现场直播电视真人秀节目, 这档备受全球瞩目的电视节目将这11个人设定成为9位平民和2位杀手,要求9位平民在规定时间内找出隐 藏在他们中间的两位杀手。节目规定所有参赛者每轮可以怀疑并指认一名杀手,被指认的人不管是不是杀手,都将被强制带入自己的梦境,在梦中被自己最害怕的东西杀死,死亡过程也会在全世界直播。而杀手也可以在每轮结尾强制杀掉一位平民,如果两名杀手被顺利指出,幸存的获胜者将得到巨额奖金,足以一 生享用不尽。为了财富,参赛者们相互怀疑,勾心斗角,意图用尽一切手段将其他对手置于死地,一场杀戮大赛悄然上演……
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
这是俄罗斯第一部大型电影,讲述了切尔诺贝利核电站事故的后果以及为避免全球灾难付出生命代价的人们的复原情况。并将欧洲大陆的大部分地区变成一个巨大的异地区和无人居住的沙漠。主角是消防队员阿列克谢,初看起来不像英雄。瓦莱尔卡工程师和鲍里斯的潜水员自愿同他一起去进行危险的突袭。 几乎没有时间制定详细的计划。由于熔化的堆芯临近,反应堆容器内的水每小时都变得越来越热。该小组面临着一个致命的任务,一个最危险的任务-去地狱,也许是最可怕的灾难后果。
After the divorce, Lisa was left with two children. Soon she meets a woman who is called her relative and says that their family has a family curse and that Lisa's boys are in mortal danger. Lisa refuses to believe in superstitious fears, but later strange visions begin to visit her, and she realizes that the curse turns out to be real. Now she must save her children from evil at any cost.
剧情简介: 1995年格罗兹尼之战,激烈的巷战有如当年的斯大林格勒,俄车双方死伤惨重,就连美国军方也惊叹"打不起这样的城市战”。 典型的低成本影片,这是俄罗斯人自己拍的关于第一次车臣战争的电影。讲述了俄军一座野战医院惨遭车臣恐怖分子袭击的故事。摄影师用写实手法,刻意拍摄了许多以往战争题材片所未描绘过的惨烈场景。车臣雇佣军把俄军士兵的头割下来,挂在火箭弹上射向对方;俄军坦克手奉命把战友们的遗体碾碎。这里没有《Black Howk Down》里"Leave no one behind”式的宣言,只有呛人的硝烟、无限的仇恨以及苦涩的胜利。老实说,如果本片有美国大片那样的资金撑腰,绝对可以成就一番票房,至少也决不会1997的片子至今也默默无闻。可现实就是现实,虽然是模糊的画面、单调的机位、幼稚的音效以及少得可怜的特技,但这些丝毫不能阻止本片向我们展现一场血淋淋、赤裸裸,充满死亡与歇斯底里的车臣战争。这里没有攻克冬宫一样豪迈的冲锋,却有坦克碾压着战友的尸体迂回前进;没有马恩列斯光辉思想的指导,却有两个专打男人下身的变态的匪帮女狙击手……本片颠覆了太多东西,又塑造了太多东西。
David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath?
美丽的少女安东尼娜某次在一场聚会上,被彼得柴可夫斯基指尖的美妙琴音吸引,并对他一见锺情。从此以后,“当柴可夫斯基的妻子”成为她人生最大的渴望,她不断写信、大胆表达爱意的行径终于得到柴可夫斯基的注意。饱受同志传言所苦,正面临财务危机的柴可夫斯基,在多方考察下,终于选择向这个疯狂迷恋自己、可提供庞大金援的女性求婚。然而,完婚后面对着对自己无爱、无欲的丈夫,安东尼娜倾尽所有仍徒劳无功。人们都说她有个了不起的丈夫,他是众人眼中的天才音乐家、万人景仰的一代大师,始终像炽热的太阳般高高在上。平凡如她不自量力地靠近,只能被烈焰灼伤,最终在这段悲剧性的婚姻中抛下自尊、陷入疯狂、化成灰烬……
故事发生在二战时期的柏林,不过与人们通常的印象不同,电脑、网络、迪厅、摇滚乐、液晶电视充斥其中,德国军人摘下古板的面具,转而纵情声色,甚至连希特勒(Mikhail Krylov 饰)都变成一个脱线搞笑的小丑。 化名舒拉伯格的亚历山大•阿谢奇金(Pavel Derevyanko 饰)是一名成功打入纳粹党卫军情报部门的苏联间谍。他夜晚住在柏林郊区的豪华公寓中,与一众大波美女锻练枪法;白天则周旋于希特勒和纳粹高官之间,时刻准备窃取纳粹的重要情报。随着战况日渐激烈,双方的情报战到了关键时刻。苏联方面派来美丽的女间谍金娜(Anna Semenovich 饰)协助舒拉的工作。各种搞笑的事情接连发生……
金无法相信他心爱的孩子芭芭拉公主已经长大成人。他仍然试图照看公主,但是16岁的芭芭拉在她的生日聚会上发脾气。当所有人都心烦意乱的时候,王位却被一个狡猾的邮差黄鼠狼抢走了。然而,由于不满足于成为王国的唯一统治者,他还打算嫁给芭芭拉。芭芭拉公主跑出宫殿,发现自己在森林深处。她碰到了歹徒布吉和他的朋友邪恶的兔子。芭芭拉的干涉严重破坏了这两个朋友普通的单身生活。芭芭拉干预每件事,安排自己的一套规则,并不断让他们对她关于爱德华王子的假设感到不安。她想象爱德华王子如何击败冒名顶替者,恢复国王的职位,并向芭芭拉求婚。就像书上说的。为了除掉芭芭拉,布吉决定去寻找爱德华王子,阻止黄鼠狼,恢复王国秩序。
Forensic scientist Lisa is obsessed with the beauty of the human body, and believes that physical love heals, gives relief from the burden of trauma and problems. Therefore, she leads an extremely free lifestyle and quite often enters into casual relationships for one night. But one day on the sectional table in front of Lisa is the body of a girl with whom she spent the night the night before. A photograph of an unknown man is printed on the body of the victim.
A heroic story about firefighters and rescuers. What we call an act of bravery is just a usual routine for them, if only one can get used to mortal danger and extreme risk. When people in distress seem to have nobody who may help them, rescuers come to fight against merciless forces of nature.
Twenty-year-old Elya is a student and a future ecologist. One day, Matvey, the head of a construction company, comes to her university to talk about a development plan on the site of an old forest park. Elya does not hesitate to smash his project to smithereens. Matvey is intrigued by the girl's self-confidence and uses his usual methods of influence - he simply tries to "buy" her. But Elya doesn't need a sponsor. Then Matvey, surprised by her impregnability, offers Elya a bet: seven romantic days according to his rules. If after that the girl still decides to leave, he will refuse to build a skyscraper in the forest park. She agrees when Matvey really suspends the design work. Elya sees herself as something like the heroine of the film Pretty Woman, but Matvey turns out to be not at all the person she imagined.
Captain Fedor Volkonogov is part of the law enforcement system. He is appreciated by the commander and respected by colleagues. But the moment comes for Captain's life to take the abrupt turn - he is criminally charged. Captain manages to escape prior to the arrest turning in a split of the second into prey hunted down by ex-colleagues. At night Fedor receives the warning from the afterlife that he is destined for Hell and eternal torments. Though Captain still has a chance to change the destiny and be accepted to Heaven under condition that he repents and at least one person grants him sincere forgiveness. Fedor sets on a mission to find absolution without idea of the trials he is to face on this route.
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set. In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene. In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?