An intimate portrait of Tyler Perry and his harrowing but faithful road to the top of an industry that didn't always include him.
20世纪90年代初,东西方冷战以苏联解体落下帷幕。新建立的俄罗斯承前朝之弊,经济全面崩溃。而产业结构极度不平衡,又导致该国轻工业产品处于极度匮乏的局面。值此纷乱之际,改革开放之初的中国,一群头脑灵光的国人摇身一变化作“国际倒爷”。他们乘坐从北京开往莫斯科的K3次国际专列 ,带着中国生产的商品开启了淘金之旅。然而,对于他们来说,这很有可能是一场死亡之旅。以苗青山(黄轩 饰)为首的悍匪集团同样登上这趟列车,对乘客实施了惨无人道的抢劫和强暴,气焰极度嚣张。中国警察崔振海(张涵予 饰)临危受命,乔装打扮带领公安小队登上刀光血影的K3次列车…… 影片根据中国第一桩跨境追捕真实案件改编。
因为一次机场偶遇,两名已婚人士在纽约度过了充满激情、欲望和诱惑的难忘一夜。
Sorn, an ethnic Shan sex worker, copes with his bitter reality in Chiang Mai, Thailand by imagining himself in his clients’ lives. He is drawn into a complex relationship with one client, a police officer investigating a political activist, even as he tries to build a future of his own as a refugee far from home.
To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet.
In film, carnivals tend to be sceneries prone to terror. That mysterious environment allows the Adams to play with the manias of Seven, Maggie and Eve, a family of carnies whose hobbies are presenting a show around the US and committing crimes all around the country during the Depression. When one of the killings goes wrong, young Eve is forced to steal a devilish artifact in order to save her parents. This is only a part of the latest insanity by this trio of filmmakers, who once again provide the best example of the DIY model—not only do they direct the film, they also write, produce, edit, star in and musicalize it. We welcome you once more to the Adams family’s blood-drenched universe.
Since 2014, in France, Restorative Justice has offered victims and perpetrators of offences the opportunity to dialogue through secure systems, supervised by professionals and volunteers such as Judith, Fanny or Michel. Nassim, Issa, and Thomas, sentenced for theft with violence, Gregoire, Nawelle and Sabine, victims of home jacking, robbery and purse snatching. Also Chloe, victim of incestuous rape, all engage in measures of Restorative Justice. On their journey, there is anger and hope, silence and words, alliances and heartbreaks, awareness and regained confidence. And at the end of the road, sometimes, reparation.
Ring in the holidays with Emmy-winning star Hannah Waddingham as she welcomes special guests for a musical extravaganza at the London Coliseum.
“I'm fine with it.” – “Yeah, well, I am not.” After transitioning, it seemed easier for Feña to simply cut all ties with his past. Dealing with the changes was painful enough, let alone his family’s reaction. But when Feña runs into an ex-boyfriend, receives an unexpected visit from his little sister and finds his Chilean father trying to reconnect with him, their lives are suddenly once again intertwined. Compassionate, intimate and frank, Vuk Lungulov-Klotz’s debut feature film explores the complex challenge of being trans and trying to reconcile the past with the present.