《杨梅成熟的季节》分别在第10届巴塞罗那环球国际电影节、第7届智利南方电影艺术学院奖、第16届印度斋普尔国际电影节中斩获了多个奖项。 以杨梅丰收的季节为背景,通过描绘主人公在乡村与城市的抉择中找寻自我价值的过程,探讨了现代化进程中人与土地、传统与现代的复杂关系。 这是一部共富路上以杨梅为主题的暖心电影,再现了年轻书记带领村民振兴乡村的感人故事,这还是首部兰溪人自己的电影。故事发生地溪兰镇常乐村以兰溪为背景,影片全程在兰溪拍摄取景,涉及诸葛八卦村、游埠古镇、夏李村等地,大部分群演都是兰溪本地的村民。 该影片立足于乡村振兴的时代背景,讲述了“90后”驻村书记、政协委员张舒清在溪兰镇常乐村带领村民走向共同富裕的故事。毫无疑问,实现乡村振兴的过程是艰辛曲折的,但最终在张舒清和村民的共同努力下,常乐村从原本无人问津的古村落变成了一个远近闻名的“杨梅网红村”。在影片中,常乐村是一个古村落,村里有戏台,有早茶街,还有一大片杨梅林。在驻村书记张舒清看来,这些都是村子自身的发展优势,“特别好看、特别好吃”,他希望利用这“二特”来带动乡村旅游,并提出了预售杨梅的想法,带领村民入股售卖杨梅。显然,大家对这一想法并不买账,甚至说他特别傻、特别烦。几番波折后,预售杨梅还是获得了绝大多数人的支持,只是过程并不顺利,以至于后来上当受骗,张舒清也遭受到村民的质疑。面对意外发生,他敢于直面困境,勇于承担一切,并自掏腰包和村民一起开了杨梅加工厂,推出了以杨梅为主的系列产品,实现了杨梅产业与共同富裕、乡村振兴、农旅融合发展。
前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。 在《超/人》中,里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众,突出了超人背后的那个人——这不是一部传记,而是一幅完整的肖像,涵盖了里夫人生旅途中的辉煌和黑暗。
本片基于艾米·利普罗特所著回忆录,她和芬沙伊德改编剧本,讲述刚从康复中心出来的罗娜在离开十多年后,回到了苏格兰的奥克尼群岛,回到童年时的牧羊场,再度体会到了自然之美和静谧的珍贵。
Centers on Seth Meyers' comedic takes on family life, marriage dynamics, and navigating everyday situations in New York City as he raises his three kids.
它讲述了塞姆·卡拉卡的生活故事,他是安纳托利亚摇滚乐的传奇名字,创作了许多作品。这部电影不仅讲述了土耳其最具标志性的男性声音之一塞姆·卡拉卡的生活,尤其是在70年代末和80年代,而且还讲述了那个时代的社会政治背景。在此期间,土耳其青年呼吁更多的民主和自由,同时面临国家压迫和秘密团体的炸弹袭击。在某种程度上,这部电影是土耳其70年代和80年代政治气候的概要。塞姆·卡拉卡以其独特的嗓音和独特的风格,在人们心中始终占据着特殊的位置。他的斗争,无论是在音乐上还是在政治上,都受到广泛的赞赏和尊重。方向巧妙,演员出色.伊斯梅尔·哈西奥奥卢、库斯坎和雅塞明·雅尔辛的表演非常出色,剧本也很平衡。
反乌托邦主义的未来,由于国际势力的贸易封锁,印度出现了政治冲突,导致了内乱。卡戴西乌拉加的幻想在某些方面令人吃惊,就像它是用有限的预算和核心思想制作的,它的意识形态使它成为一个好的剧本和体面的背景得分。阿迪希发明了一群把他们的角色做得很整洁的演员。纳塔拉扬做了一件了不起的工作。电影的主要特点是在上半场的某些时候失去了控制,但下半场充满了动作,很容易和我们联系在一起的情感。在他的方向部分成功了,最后的歌曲使用,使现场有点更高和感觉良好。
Two working class youtubers ‘in the making’ enter an abandoned mansion to get their basketball back, and get lost inside while pranking each other. They record their ‘quick adventure’ with their phones for their audience, and tweak it with a fake phantom appearance to attract more followers to their YouTube channel. When uploaded the video goes viral, so they start a challenge: if the video reaches a certain number of views, they will enter the house again, at night, alone, totally unprotected. As fans react positively, they will do as promised, not only to discover and unveil the true nature of the place and their inhabitants, but to realize they might not be among the living anymore. Which opens a question - how far would you go to be famous?
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
这部纪录片深入探讨了好莱坞偶像丹泽尔·华盛顿的生活和工作。探索他从戏剧起步到成为两届奥斯卡奖得主的成长历程。见证他如何打破刻板印象,描绘跨流派的复杂黑人角色,并永远改变电影格局。
A heartwarming homage to the lo-fi fantasy films of the 80s and a comic adventure that both fulfills and subverts the expectations of what a fantasy universe can be.
In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.