故事发生在风景如画的法国乡间,塞西尔(珍·茜宝 Jean Seberg 饰)跟随着父亲雷蒙(大卫·尼文 David Niven 饰)居住在那里。清新的田园景色和无忧无虑的生活令塞西尔成长成为了一个桀骜不羁的少女,她厌恶循规蹈矩的生活,向往着自由和浪漫。 雷蒙结识了名叫安娜(黛博拉·蔻儿 Deborah Kerr 饰)的美丽女子,两人很快打得火热,但塞西尔却并不喜欢这个有可能成为自己继母的女人,因为安娜的性格对于她来说显得过于保守和严谨,于是,塞西尔找到了父亲的前女友艾尔莎(麦琳娜·德蒙吉奥 Mylène Demongeot 饰),策划让她从中作梗搅黄雷蒙和安娜的姻缘,却没想到自己看似毫无破绽的诡计最终酿成了悲剧。
Annie just graduated college. As she falls into an aimless summer, she finds herself entangled with Tyler, a woman she meets at a bar and Danny, Tyler's co-worker or best friend or…? Annie can never tell. The film follows Annie through a summer of self-discovery as she, Tyler, and Danny each battle for unrequited connection, ultimately helping Annie find her voice in desire and independence.
在一起未解决的钻石抢劫案之后,一个顽固的警察对他的关键嫌疑人的追捕变成了困扰,直到他们最终面对对方和真相。西坎达·卡·穆卡达尔作为一部具有强大前提的引人入胜的恐怖片,但缺乏令人信服的讲故事能力。由奈拉杰潘迪导演,这部电影暗示了导演的独特风格的智能恐怖片,但努力保持其势头。当故事以承诺开头时,剧本在下半场被松散的结局和缺乏焦点所束缚。上半场充满了有趣的场景和紧张的时刻。然而,随着叙述的进展,紧抓开始滑。下半场感觉很混乱,缺乏潘迪最好作品的锐利。剧本留下太多的线索没有解决,最后的场景没有产生影响,使观众不满意。在143分钟的时间里,延长的运行时,加上不均匀的速度,会降低整体体验。往好的方面看,表演是这部电影的保存之道.吉米希尔吉尔的表演出色,他肩上背负着好几场戏的重担。阿维那什蒂威在关键时刻闪耀。塔马纳娜·巴提亚以她那非迷人的角色的克制表现给人留下深刻印象。拉杰夫梅赫塔虽然体面,却没有得到充分利用。其他演员的角色也不错。
Using archival footage and dramatic re-enactments, this documentary deals with the immediate aftermath of the 1918 armistice that brought World War I to an end. From January to July 1919, the Paris Peace Conference dealt not only with issues related to Germany but with the thorny issue of national boundaries in Europe, the Middle East and Asia. From this conference emerged Yugoslavia and Czechoslovakia; the annexation of parts of Germany by other countries; the creation of Iraq; and the transfer of German colonies in Africa and China to new colonial masters. It also led to the creation of the League of Nations, championed by President Woodrow Wilson but which the US never joined. When they finally dealt with the issue of war reparations, they imposed a payments schedule on Germany that many believe provided the underpinnings of World War II.
五十岁的装潢建筑公司老板国庆最近有点心烦,妻子安心悄无声息地独自去了岔口村徒步,并要求国庆也去,但这个地方一直是国庆的一个心结,去与不去,让他犹豫不决。国庆与安心是大学同学,毕业结婚时两人约定要在岔口村山村支教,做一对浪漫爱人。但国庆爽约回到城里进入国企工作,安心也只能告别岔口村。之后国庆被迫辞职下海。在商海打拼中,国庆由当年委曲求全的小伙子变成了对下属严格苛刻的老总,并患上了抑郁症,夫妻俩的关系也渐行渐远。庆祝从小就把爸爸国庆当成自己的榜样,并将父母当年誓言要去的岔口村当成了自己心中的圣地,一年前,庆祝独自一人去岔口村徒步,因为救人而意外去世。纪毅是庆祝资助过的一名山区孩子,纪毅年轻气盛,性格耿直,做事积极,但因为急于求成,常常会犯错。国庆在看完庆祝写的推荐信后,留下纪毅当了助理。为了挽回妻子、同时弥补对儿子的亏欠,国庆与纪毅踏上了岔口村的徒步之旅。
约翰(詹姆斯·法伦蒂洛 James Farentino 饰)一家参加女儿的校庆后,在回家的路上,女儿遭遇了因酒后驾车引发的车祸,不幸身亡。父母深陷悲痛之中,而法庭的判决并没有给他们带来安慰。在法庭上,肇事者汤姆(唐·默里 Don Murray 饰)请来了一名律师,采用各种手段来保护他的当事人免于牢狱之灾,并保留他的驾驶执照。受害人的父母雇佣的律师面临着很大的困难,难以战胜对方的辩护。法官在宣判之前似乎被迫倾向于肇事者的辩护人,这使得肇事者看起来可能逃脱法律的制裁。 电影凸显了法律体系中的一些不公正和漏洞,以及在司法过程中受害者家属所面临的无力感。同时,通过描绘法庭内外的角力和法律斗争,故事向观众展示了一个复杂而令人动容的法律纠纷,挑战了正义与公正的界限。
The pic follows Ivy, a biracial teenager navigating Aspen’s elite party scene amidst her adoptive parents’ bitter divorce. As she watches her wealthy community provide cover for predatory behavior, Ivy struggles to find her own path without losing herself in this searing exploration of the complexities of power, privilege and personal agency. Inspired by true events, the pic is billed as a “resonant and timely story” told through a “personal lens that examines the empowerment and danger of coming into your sexuality as a woman in our society.”
《朗康科马湖传奇:湖中女士》讲述了杰米 (Jamie) 的故事,她是一名刚毕业的高中毕业生,她希望与朋友们在湖边享受她最后一个避暑别墅和 18 岁生日。弟弟溺水一周年纪念日、母亲的心理健康问题以及困扰曾经幸福的舒尔茨一家的无法解释的超自然事件的阴影笼罩着杰米,她肯定不会度过她所希望或期待的夏天。
Ernest Hemingway’s influential short story The Killers (1927), has been adapted to film by Robert Siodmak and Andrei Tarkovsky, while Edward Hopper’s painting Nighthawks (1942) is also said to have been inspired by the story. The Killers, an omnibus film comprised of four-shorts, takes motifs from these two classics and borrows some of their imagery as mise-en-scène. The 4 directors unfold the noir world of death and waiting with different senses and sensibilities. Kim Jong-kwan’s Metamorphosis, which depicts the awakening and manifestation of power following bloodsucking; Roh Deok’s Contractors, a pyramid of contract killings and subcontracted labor; Chang Hang-jun’s Everyone is Waiting for the Man, which tracks down a ghostly figure called a mysterious killer; and Lee Myung-Se’s Silent Cinema, an allegory of his longtime dream of cinema and the world. Notably, Actor Shim Eun-kyung appears in all four films, each time in a completely different role, adding to the delight. It’s an unconventional collection of emotional, psychological, and action-oriented films.