在一辆孤独的灰狗巴士上,两个带着一模一样黑色旅行包的女人偶然相遇。这一巧合引发了一场致命的猫捉老鼠游戏,其中一人发现她与一名杀手交换了包,而他们的相遇可能并非偶然。在这部电影的开场白中,我们看到了一位孕妇,苔丝,正在收集必要的药物。然后,她前往汽车站,在登机前将行李装进储藏室。另一个女人,突然想出了一个一模一样的袋子,板子,坐在苔丝旁边.她介绍自己是莎拉。当苔丝到达终点站时,萨拉睡着了。她拿起她的包,回到她的遥远的房子。就在她打开袋子的时候,门铃响了...萨拉说他们的行李被换了。当苔丝去拿袋子的时候,袋子打开了,她看到里面有令人震惊的东西。..一些暗示莎拉可能非常危险的东西。她把它合上,还了回去,但很明显,萨拉知道苔丝已经看到了里面的东西。莎拉开始解释事情,但她说的话能被相信吗?当我开始看这个节目的时候,我真不知道该期待什么,一开始我就期待着失望。开幕式的场景暗示,"邪恶"的萨拉犯了一个没有逻辑意义的错误,这是过于戏剧性的。..也就是说把东西放在箱子里。然而,随着故事的发展,它开始变得更有趣,不太可能的细节被解释。在结局结束前有一些好的曲折,我直到接近尾声时才预测到。这部影片几乎完全由两位女主角奥莱莎·鲁林和劳拉·范德沃尔特分别拍摄,给苔丝和萨拉留下了深刻的印象。行动比人们想象的要少,但仍然存在大量的紧张。总的来说,这是一部足够坚实的心理惊愕片,我推荐给这类电影的粉丝,只要90分钟就可以了。
20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he comes up with a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multilayered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
Finally, Anton fell in love and married Yuni, who was also his wife's friend, Nuri. Even though Yuni and Nuri had promised not to pursue each other's partners, Nuri decided to let go because she had experienced multiple miscarriages. In the end, Nuri felt disappointed because Anton did not fulfill his promise to be fair. Yuni started experiencing supernatural terror during her pregnancy, which made her fall ill and led to conflicts with Bude. This situation led Yuni to choose Nuri to take care of her while Anton was away. What will happen when the first and second wives are under the same roof? Yuni's mother realized the danger that could befall her child and future grandchildren, but it was too late. Will the supernatural terror against Yuni end or escalate further?
汉娜·麦肯齐在不忙于沙龙工作的情况下经营婚纱的副业。什么时候威尔米灵顿,新娘帝国的继承人来寻求改造品牌。这两个人一起工作,甚至可能坠入爱河。这是另一部由公司制作的电视电影,其中马库斯罗斯纳是共同所有者与卷轴娱乐,显然M。罗斯纳是主角。它甚至拥有与前两部电影相同的导演和作家。从技术上讲,这部电影很好,除了音乐是有点没有灵感--还不错,可以通过,但在他们的目录中,罗的音乐更好。基本上,如果你看了(一些)北方网关电影制作的以前的电影,你不会看到任何新的东西,这是典型的加拿大自由主义制作的电视电影M。罗斯纳和他的公司-这实际上是一件好事,因为他们不假装是插入随机的美国城市,至少比以前的好。甚至有一点铸造回收。说到演员,我不知道为什么拉希农鱼的声音会因地而异。在一个场景是正常的,然后在下一个是高音调,然后再正常。对我来说这是个沉浸式杀手。我不记得上一次看电视电影的时候写了这么多可预测的东西。一个接一个的场景,我知道将要发生什么,但导演实际上执行脚本很好。我承认,第三幕有很好的惊喜和旋转,所以它(高度)预测到最后。不得不不要看拖车,因为由于某种原因,它的卵拖车必须显示整个电影压缩。
这是一个在她的游戏顶级的美食评论家,因为她遇到了一个厨师拒绝美食批评家对他的餐馆。在她姐姐结婚前他们必须克服分歧另一部普通的电视娱乐片在2023年的季。从技术上讲,这部电影大部分都很好。我真的不喜欢她。在很多场合化妆,她看起来真的很糟糕。这完全是不必要的,因为她天生就迷人。这部电影的主要问题,就像许多罗电视电影的主要问题是假位置。据说电影会在旧金山出现,除了很明显是在基洛纳拍摄的,和他们的其他许多电视电影一样,因为如果你看了"罗电视"电影,你会一次又一次地认出同样或类似的地方。因此,在第一幕中,他们过度地使用SF储存的镜头来欺骗观众。在第二幕中,电影几乎一直到结尾(除了很少几个短剧),在基洛纳奥卡纳根湖上的一个美丽的庄园里进行,所以他们转而在两个场景之间播放基洛纳股票的镜头。只是悲伤。..这是第一部电视剧,弗兰西斯卡·比安奇和马特·汉密尔顿是主角,而不是配角,而且是右棒,他们表现得很好,很有说服力。M.汉密尔顿是一个资深的霍曼电视配角演员,他换了罗,他几乎总是玩一些愚蠢的人,但这次他主要是严肃的,这是一个很大的不同,他没有失败。指导基本上没问题,但写作。..有多少次我们要去看新娘?好的一面是,电影是围绕着哈利和杰米,其余的演员大多是有限的。我承认我几次跳过了新娘角色和整个猜谜测试,因为我看了很多次,没有时间去浪费。另一方面,哈利和杰米的对话写得非常好。总的来说,平均值。如果有适当的文字支持,没有过度使用库存的镜头,我会很容易地给它打分7*。而且,千万不要像看其他的罗电视电影预告片一样看拖车,它展示了一切。
Pornhub 是互联网最著名的成人娱乐平台,从根本上改变了色情内容的制作和传播方式。这使得该公司赚取了数十亿美元,同时色情内容创作者也能够接触到大量观众。但该公司也遭到了众多指控,其中包括使用未经同意的内容和在网站上进行人口贩卖等。在反人口贩卖组织为受害者伸张正义之际,这家网络巨头能否保护它的摇钱树,又或者说这是针对成人表演者自愿拍摄色情内容的新一波审查浪潮?
Dogleg follows amateur director Alan, played by Warren, after he loses his fiance's dog at a gender reveal party on the day of an important shoot. As he struggles to finish his latest project with the help of a New York critic, the pursuit of the lost dog and the chaos of his film begin to blend and Alan grows desperate for the day to be over.
电影制片人利用新技术,展示了著名的扎普鲁德电影中美国第 35 任总统约翰·肯尼迪 (JFK) 遇刺事件的真实情况。
The legendary singer has finally received the major portrait film he deserves. Oscar winner Alex Gibney unravels Paul Simon's life's work, from his time with Art Garfunkel to solo highlight 'Graceland' to his latest album. ‘His music floats around you, enters your lungs, and suddenly you’re breathing through the songs.’ The Oscar-winning director Alex Gibney is speaking about Paul Simon, whom he has been given exclusive access to while the 82-year-old musician is recording his latest album, ‘Seven Psalms’. Through a goldmine of photographs, interviews and never-before-seen footage, Gibney unravels the many iconic moments, from Simon & Garfunkel’s early days to their reunion concert in front of 750,000 people in Central Park. ‘In Restless Dreams’ is the portrait of Paul Simon he has always deserved. We will screen the film once during CPH:DOX and transform the Bremen Theatre into Rufaro Stadium in Zimbabwe in 1986, when both the film and Simon’s career culminate in an unforgettable concert.
Em A Porta ao Lado, Rafa (Dan Ferreira) e Mari (Letícia Colin) vivem um relacionamento tranquilo e estável, monogâmico, dentro dos moldes mais tradicionais. Juntos há mais de cinco anos, os dois se acostumaram com a rotina e a monotonia da vida de casados, sem muitas aventuras. Mas quando Fred (Túlia Starling) e Isis (Bárbara Paz), um casal que vive um relacionamento aberto, se muda para o apartamento ao lado, Mari acaba sendo levada a questionar seu casamento e considerar outras formas de se relacionar. O encontro entre os dois casais provoca desejos, dúvidas e inseguranças, transformando completamente a vida dos quatro.