台湾女作家许若卿(林心如 饰)为了与情人赵亦堂(吴镇宇 饰)生活在一起而迁居内地,临走前母亲(金燕玲 饰)给了她祖上留下来的老宅钥匙,于是若卿带着女儿小梦(张煜雯 饰)住进了传说中的凶宅——朝内81号。亦堂的妻子(夏文汐 饰)不肯离婚,加上他常因工作与秘书琉璃(莫小棋 饰)在一起,这让若卿心神不宁。诺大的宅子除了一名老佣人(袁祥仁 饰)便无他人,可是小梦却说自己常与一个红衣小姐姐玩耍,大胆的若卿想要一探究竟,却意外发现了宅子的尘封往事。原来这一切与老宅原来的主人霍家三兄弟息息相关,霍家三少爷霍连奇(杨佑宁 饰)一心想娶青楼头牌陆蝶玉为妻,陆蝶玉却阴差阳错与二少爷(李菁 饰)进行了冥婚,这一场闹剧直接导致了日后霍家的全面衰败……而现实中若卿愈发地感觉到了宅子的超自然力量。 本片改编自民间传说的四大凶宅之首“朝内81号”的诡异故事。
本片讲述的是一部当人的内心欲望到达极至并自食其果的心理惊悚片,片中小颖的妈妈在一个富人家当保姆,一做就是几十年,而小颖在这样的环境中成长,妈妈很爱她,但她依然觉得经历着各种从小不公平的对待,女主人公若梅出生在一个富贵人家,生来任性,因为和成志的爱情与父母闹翻,情绪无法控制,由于车祸导致父母双亡。不想,她的财产和爱人被其保姆的女儿小颖觊觎,随着若梅接连意外的发生,小颖发现从小受到的不公平的待遇,好像在这样的契机下就可以将若梅取而代之。这个贪心的姑娘整容医生的帮助下变成了富家女若梅的模样,并想尽一切办法夺走若梅的一切,妄图鸠占鹊巢。就在她以为得逞的时候,方才明白,换成别人的脸并无法替换她人的心灵
大学时期,宋倩(朴韩星 饰)与娜娜(辛芷蕾 饰)、羽菲(李昕岳 饰)、游峰(张皓然 饰)、宏瑞(杨帆 饰)、杨铮(孙绍龙 饰)几个人是非常要好的朋友。直到认识了新生小艾(章婷婷 饰)。漂亮的小艾让本来亲密无间的小团体产生了裂痕。特别是娜娜,处处针对她,只有宋倩努力维系着大家的关系。渐渐开始有不好的传言在学校漫延——小艾一直被视为邪恶的化身,所有与她接触的人都会有厄运。很快宏瑞发生意外摔伤腿,错过一场重要比赛。宋倩几个人在学校的屋顶阁楼玩起笔仙,结果笔仙也验证了小艾的不详,当晚小艾便跳楼自杀了。 大学毕业后,宋倩和她的同学们事业都发展很顺利,有的成了大明星,有的成为了企业精英,而直到娜娜从美国回来,怪事接二连三的发生,每个人都开始遇到危险,谜底一层层揭开,原来大学时代小艾的死,是另有原因…… 2013年与2010年,都市中与校园里,一段尘封已久的大学往事,某个被记忆掩埋在心灵深处的名字再次因为笔仙的到来浮现脑海……
毕业在即,对户外旅行有着共同热爱的驴友高沫(余心恬 饰)、海蓝(郭艳 饰)、于帅(薛斐 饰)、李明哲(郎鹏 饰)和蒋小雪(付曼 饰),在张宇(郭鑫 饰)的召集下走进深山,进行他们的毕业旅行。向导阿吉(卡卡 饰)熟悉山里的情况,好朋友们又都装备齐全,可是最初的快乐轻松很快被意外事件所破坏。明哲和海蓝不慎掉入水中,弄丢了唯一能和外界联系的卫星电话,阿吉催促众人尽快赶路,他相信在山里枉死之人的鬼魂会给他们带来意想不到的麻烦。慌张的年轻人最终来到一个废弃已久的宅邸院落,夜幕降临,贪心的于帅到处在院子里找值钱的东西,之后这个无所顾忌和丧失敬畏心家伙又号召大家玩笔仙寻找刺激。 可怕的事件降临在他们中间……
Following on from the events of The Mount, we revisit Philomena's home in what is promised to be a larger and darker spectacle than the first instalment.
Spain, late 1980s. Newcomer Sara tries to fit in with the other teens in this tight-knit small town in the province of Tarrgona. If only she were more like her extroverted best friend, Rebe. They go out one night at a nightclub, on the way home, they come upon a little girl holding a doll, dressed for her first communion. And that's when the nightmare begins.
It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget. Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way. There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him? Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
故事讲述了新婚枪手雷诺寻求与新娘过平静生活的故事。当雷诺出于自卫杀死一名强盗时,他发现他们都又回到了原来的样子。当地腐败的市长克拉伦斯·毕肖普不会让他兄弟的死不受惩罚。