A young junior hockey player's life is shattered by an in-game act of violence. In an instant his life is abruptly turned upside down; torn from the fraternity of the team and the coinciding position of prominence, he is cast as a pariah and ostracized from the community. As he struggles with the repercussions of the event, desperate to find a means of reconciliation and a sense of identity, his personal journey ends up illuminating troubling systemic issues around violence.
In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
Specialists gather in a top-secret facility to investigate a series of strange deaths on beaches along the Atlantic Ocean. One of the team's scientists (Nana Gouvea) examines video evidence to uncover a possible parasitic explanation for the fatalities. But when a determined detective (Tom Sizemore) sends her the crazed writings of a mysterious homeless man (Jonny Beauchamp), the scientist slowly learns that the actual threat may be more dangerous -- and far older -- than anyone ever imagined. Can she convince her colleagues (led by Eric Roberts) of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
影片改编自好莱坞同名经典爱情喜剧。顾佳(舒淇 饰)是国内某时尚杂志的新任主编,奉命去米兰参加时装周。一通意外的电话让她刚刚落地就放弃了工作安排飞往伦敦。因为她曾经逃避但其实内心深爱的男人林然 (冯绍峰 饰)马上就要和一位年轻富家女萱萱(宋茜 饰)结婚,她想在婚礼之前把新郎抢回来。在飞往伦敦的飞机上,顾佳邂逅了型男Nick(凤小岳 饰),她一直出糗,令Nick非常尴尬。见面后,林然的准新娘萱萱却待她亲如姐妹。尽管内心矛盾,顾佳还是有意无意的制造着麻烦,并因为一个误会使婚礼无法在英国如期举行,但林然和萱萱情比金坚,顾佳决定安排林然和萱萱去意大利办婚礼。在米兰,顾佳鼓起勇气和林然表白,却意外被萱萱撞见,三人在街头展开了追逐……
她觉得丈夫有些不对头,却又不知道是哪儿出了问题。一天晚上,她突然发现他根本不是她丈夫,他其实应该称之为“它”,因为他根本不是人类。 “它”是一台智能机器人,是身为机器人工程师的丈夫的最新作品。由于丈夫斗胆打破了机器人三大定律,所以整个研究过程对外严格保密,那么最终阶段的人机相处测试只能交给最信任的她来完成。 她万分崩溃却又无力抗争,只好尝试着和机器人相处一段时间。就在这怪异的相处之中,她从最初的抵触抗拒慢慢变成了依赖和欣赏,最后甚至对机器人产生了一种别样的感情。 事情的发展太出乎意料,勃然大怒的丈夫想尽办法折磨惩罚她和机器人,并用极为冷酷的方法证明机器人根本就没有感情。她起初不相信,多次试探之后,却不得不接受残酷的现实。 机器人确实没有感情,她所感受到了一切其实是程序生成的表面行为带来的假相。 心灰意冷的她把机器人彻底尘封,丈夫也终于意识到自己的荒谬,向她表达了深深的忏悔。生活仿佛回归了当初的平静,可看似平静的她,嘴角却总挂着一丝难以察觉的笑容。 一个酝酿许久的计划,正在按照她的设想慢慢推进着……
影片讲述了一位女流行歌手,因为一首歌在引起了轰动,富商为了追到这位女歌手不惜一切代价追到他,虽然在当地小有名气但是有名不代表有钱,因为感情原因与前男友分手,再因为家庭原因急需用钱,所以富商正是看上了这一点想讨好女歌手的芳心,但是她只是与富商吃饭而已。 在一次偶然的机会一 个富二代也喜欢上了这个女孩,在富商与富二代的追逐下,她双方都没有接受,因为她知道自己的身世,不想高攀。但是富二代与富商以为是女孩觉得自己的实力不够。为了讨女孩欢心,他们想尽一切办法。 因为这件事闹的满城风雨,所有的人都知道了这件事,一个商人分别找到了他们二人,说法国有瓶红酒,珍藏了上百年,而且还被赋予了魔咒,只要男女双方喝下这瓶酒就会再一起。 最后富二代成了穷二代,但是也因为如此最终获得了女孩的芳心。
Terrence J. stars as Charlie, a playboy who's convinced that relationships are dead. His two best friends, Donald Faison and Robert C. Riley, bet him that if he sticks to one woman for one month, he's bound to get attached. Charlie denies this until he crosses paths with the beautiful and mysterious Eva, played by singer/actress Cassie. They may agree to a casual affair, but eventually Charlie is questioning whether he may actually want more.
《爱在小红点》由四部短片组成,温淑安、伍洛毅与包勋评在其中的《爱诱惑》有大胆演出,由罗胜负责执导。温淑安与伍洛毅饰演结婚多年夫妻,她感觉当空少的伍洛毅忽略自己,便到外面“偷吃”,认识“小王”包勋评,从女性角度探讨婚外情。 《爱》的另外三部短片导演分别是陈启全、任锦添与拉伊汉哈利姆(Raihan Halim)。陈启全在《爱极限》短片以龟毛准新郎邓国强开始,一求婚就衰事连连,花了毕生储蓄买的求婚戒指被黄正平骗走,他及好友石伟正必须想尽办法找回戒指。 《爱记得》是任锦添执导的作品,故事讲述陷入婚姻危机的一对小夫妻(陈伟恩和胡佳嬑饰),两人被一名中年男子(段伟明饰)对老婆真挚的感情所感动,婚姻有了扭转。两人拍完了戏后,对上一代人不离不弃的爱情观有更深入看法,希望在生活中能找到长相厮守的合适伴侣。
电影公司「日活」创业百年,最具代表性的一个品牌,是在七、 八十年代风靡一时的「粉红映画」(日文叫Roman Porno,海外称之为Pink Movie),亦即是浪漫化的成人电影。今年适逢「粉红映画」诞生四十五周年,「日活」特别筹划了「Roman Porno Reboot」计划,找来园子温、行定勳、中田秀夫、盐田明彦、白石和弥五位名导操刀,各拍一部粉红片。五人要跟足过往的游戏规则:每十分钟要有一场情慾戏、片长必须在七十至八十分钟之间、一律只有很低的製作费、要一星期内完成拍摄,其他一切自由发挥。结果证明五位导演不但玩得起,而且还玩得极有一手。 盐田的《湿濡的女人》最先曝光,重新演绎「粉红」经典《湿濡的恋人们》,讲野性少女在海边故意湿身,然后贱价卖身给路过的男人。白石执导的《雌猫们》同样向经典《雌猫们之夜》致敬,新版搬到池袋街头上演,讲在网吧打趸的难民、单亲妈妈和不育人妻在夜间浪荡的性活动。行定勳的《撩乱的裸舞曲》则是原创故事,谐星板尾创路演脑闭塞导演,陷入了女色陷阱,搞到身败名裂。《午夜凶铃》导演中田秀夫初战成人世界,打动了九十后女优飞鸟凛全裸演出女同志故事《白百合》。向来出位的园子温就尽展其反叛本色,以毒攻毒,用色情反色情拍了《Antiporno》,找来前AKB成员富手麻妙首次全裸主演。 「粉红映画」之所以留名几十年,是因为「淫」得有道,成本低但剧本扎实,而且是当时年轻新导磨练技艺的修罗场,《礼仪师》奥斯卡导演泷田洋二郎、《谈谈情,跳跳舞》的周防正行、《死亡笔记》的金子修介、《后乐园》已故导演森田芳光等大导出道时都拍过粉红片。停产了廿八年的粉红系列今次一口气推出五片,别具意义,将陆续于十一月底起在日本上映。
阿亚尼(兰比·卡普尔 Ranbir Kapoor 饰)是一个小有名气的歌手,曾经,他爱上了一个名叫阿莉扎(安努舒卡·莎玛 Anushka Sharma 饰)的女孩。阿莉扎美丽温柔又善良,她的存在令阿亚尼久久无法忘怀,可是,阿莉扎曾经经历过一段非常悲伤的往事,直到现在也一直生活在挥之不去的阴影中,这使得阿亚尼只能暂时以朋友的身份和阿莉扎相处。 两人筹划了一场巴黎之旅,于是双双踏上了未知的旅途,阿亚尼本以为这趟旅行能够替阿莉扎解开心结,但事与愿违。之后,一个名叫萨巴(艾西瓦娅·雷 Aishwarya Rai Bachchan 饰)的姑娘也出现在了阿亚尼的身边,让阿亚尼忽然醒悟,自己或许并不只有阿莉扎这一个选择。